Sometimes we need a soundtrack for real life – not great music, just sincerely good background music. Like life.
Continue reading...Song Of the week
199: Janis Ian, ‘At Seventeen’
Teenagers and popularity. Social status. Where you stand in the eyes of your peers and in your own mind. Letting others determine your sense of worth. That warped, cruel, numbered list of My Rank on The Ladder.
Continue reading...198: Buffalo Springfield, ‘Rock and Roll Woman’
Buffalo Springfield was a flimsy amalgam of superegos, whose main common attribute was a group identity crisis. But, oh, what music they made on the way to their dissolution.
Continue reading...197: Paul Simon, ‘Hearts and Bones’
Hearts and bones. The soft and hard, that which can only feel pain, and that which can only be broken. The vital and the inflexible, the palpitating and the rigid. The pulsating, quivering, throbbing passions within us, and the structures and strictures and scaffoldings that hold it all up. It’s about how they cohabit within us – intimate, interdependent, synergetic, yet profoundly and inherently separate. Like a married couple.
Continue reading...196: Ray Charles, ‘You Don’t Know Me’
Ray pretty much invented soul and then cornered the market. Instead of leaving well enough alone, he went and invaded Nashville, dressing a string of Country and Western classics in his jazz/pop/soul style, but with fiercely personal interpretations. Something new under the sun. Something indelibly beautiful.
Continue reading...192: Les Double Six of Paris, “Moanin'”
The hard-bop jazz vocal sextet Les Double Six of Paris–their sources, their contemporaries and their followers; and why vocal jazz groups loved singing Count Basie.
Continue reading...195: Hoagy Carmichael, ‘Skylark’
Earworms, crazy loons, the will o’ the wisp, a gypsy serenading the moon, Oliver Twist (the dance), all these and more in this week’s SoTW!
Especially the elegant and passionate songwrighting of Hoagy Carmichael and Johnny Mercer.
190: Bob Dylan, ‘Boots of Spanish Leather’
Kids, be careful! One little romp in the back seat, whoops, you’re a parent forever. One untimely text, you’re limping through the Pearly Gates at 21. Write a Protest Song at 22, you’re a Protest Singer forever.
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