I’ve had a good life.
I’ve thought a lot about the facts that I was awarded life only because my grandparents had the prescience to leave Belarus; and that I was born into the wealthiest country in history at a time of freedom and therefore presented with unlimited possibilities of all sorts; and that I was born into a people with a very special history, with concomitant obligations and baggage; that I had the luxury of choosing the country I wanted to live in and the good fortune to live a life I chose, rather than following one I was born into; and that I was born at a time that my coming-of-age coincided with the bloom of the Beatles’ and Dylan’s recording careers. I may have missed the existence of the walkman during my formative years, but all in all I think I was well-born.
But if I were able to do it all over again, I think I might have chosen to be born in Brazil, sometime after the advent of bossa nova. Their music is so often so magical that it makes everything non-Latin sound plodding and pedestrian. My friend Miki did have that good fortune. He can do just a little clapping shuffle with his hands, and it sounds like dancing. He sent me an email this week with the subject “You will fall in love” and the link to our SoTW
He, of course, was right.
All too frequently I discover music through obsessive detective work — someone I respect makes a passing reference to an artist I’m not familiar with. I start following clue after clue, fall into a binge of three days or four weeks poring through the entire discography, acquiring a dozen CDs, ignoring work, family, and reality listening to them, reading interviews transcribed from Croatian radio, the whole shebang.
But in this case, I did it right, just like a normal human. Well, almost. Miki sent me the link, and I watched it. Then I watched it again. And again. And again. You can figure out the ellipsis. And I did indeed fall in love with the girl, the song, the clip, the event filmed there. As has every person I’ve shown it to in the last week, as will I hope you as well.
So it was only after watching it 30 or 40 times that I took a break to research, document, dissemble, dissect and analyze the poor thing.
The girl, Roberta Sá, was dropped out of the 2002 ‘Brazilian Idol’ competition after 4 weeks, but she’s had a pretty good run of it since. Many of the highly respected icons of Brazilian music have recorded with her, including Chico Buarque in the clip here. He’s 64, creator of an extensive and highly respected discography, a master of lyrics who managed to stay in trouble with the Brazilian authorities for many years.
The song itself was quite a surprise to me. It’s a homeless gent, maintaining that he shouldn’t be pitied, he has the freedom of a gypsy:
On stage in the square, the circus, a park bench
Running in the dark, graffiti on the wall
You will know me–Mambembe, Gypsy
Beggar, rogue, nigger,
Good or bad mulambo, singing.
Runaway slave, a lunatic.
I make my festival
Poet, clown, pirate, pirate, Wandering Jew
Sleeping on the road, nothing, nothing in
And this world is all mine
Under the bridge, singing
Beneath the earth, singing
In the mouths of the people, singing
But padding the clip with facts just distances us from it. I may just as well stick to my local Israeli associations—Uri Mamillian accompanying Meir Ariel and (oxymoron follows) a meltingly sweet and smiling Yonit Levi.
But of course none of that is the point. The point is the magic in the clip. The magic floating guitar. The charm, the sweetness, the utterly captivating power of the smile. And most of all, of course, the nascent, vibrant electricity between the two singers.
A couple of weeks ago I wrote about Esperanza Spalding and sex appeal in female singers. Well, this clip is a lot more articulate than I am. Sometimes, that’s what it’s all about. And it can be great.
Just for an experiment, listen to the music without watching the clip. Nothing out of the ordinary, right? I’ve listened to quite a lot of Roberta Sá’s recordings, and they’re respectable, but really nothing special. I keep thinking of Ruhama Raz, for those of you who know her, sweet and innocent and girl-next-door harmless. And I’ve listened to some of Chico Buarque’s stuff, and it’s too lyric-based for me to overcome the Portuguese barrier (as I can do with many other more universally musical Brazilian artists).
But the clip, my gosh. It’s so disarming and charming and intoxicating. Like Miki said, I fell in love. And enough words, go enjoy the absolutely entrancing flirtation between these two singers.