Maria Schneider’s music has been called “evocative, majestic, magical, heart-stoppingly gorgeous.” It defies genre-categorization. In format, it’s standard Big Band, but the music exhibits a symphonic palette, broad and complex and rich and intriguing. Her compositions are often compared to those of Mahler and Copland. They’re ephemeral, transcendental and melodic, often simultaneously. Not impressionistic, but carefully thought out and planned and considered. Incorporating the vast, open, airy Minnesota landscape where she was raised. Thoroughly modern, thoroughly American, thoroughly personal. She’s even been called Nabokovian! A brainy romantic, passionate, an aural aviatrix.
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