The hard-bop jazz vocal sextet Les Double Six of Paris–their sources, their contemporaries and their followers; and why vocal jazz groups loved singing Count Basie.
Continue reading...Lambert Hendricks & Ross
105: The Boswell Sisters, ‘Crazy People’
The Boswell Sisters had 20 hits in the early 1930s, and are arguably THE best vocal jazz group ever. Their 3-part harmonies are tighter than Aunt Bertha’s girdle, and their arrangements are constantly chock full of unexpected shifts in tempo, major/minor mode, key, and tone, flipping cheekily from dead serious to insouciant comic and back. They have a wicked and sometimes rather racy sense of humor. Their vocals are so hot they were often thought to be black. They scat with the best of them, and do knock-out imitations of instruments and nonsense sounds. A pleasure and an education, 80 years on.
Continue reading...The New A Cappella
I’ve just returned from the inspiring The Real Group Festival in Stockholm, four days of workshops, lectures, concerts and hugging, a celebration of a music shared passionately by a small but growing number of adherent fanatics worldwide — The New A Cappella. Many of the participants expressed frustration at the difficulty in explaining just what this genre is. Here’s my attempt to provide an overview.
Continue reading...101: Kurt Elling, “Li’l Darlin'”
I think 43-year old Kurt Elling is the finest male jazz singer ever. So you can imagine my pleasure at having the opportunity recently to take him and his band up to Jerusalem to visit some incredible sites in the Old City. Along the way we had an in-depth discussion about jazz singing and jazz singers, then in the evening I saw a bang-up show. Here’s a long article describing that exceptional day.
https://jmeshel.com//?p=2169
In Song of The Week, I compare Kurt’s version of Count Basie’s “Li’l Darlin'” with that of his musical mentor Mark Murphy, explaining why I think this young man is the best. Ever.