This is the way the world the world ends, this is the way the world ends. Not with a bang, but with Jeff babbling about the demigods playing ping-pong.
Wishing all of us, everywhere, health and peace of mind.
When seventeen-year old Carole King found herself pregnant, she wrote ‘Will You Love Me Tomorrow’ for The Shirelles. Girls (and now also guys) have been singing it ever since.
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Do you know these obscure gems?
Can you tell them apart?
I’ve just returned from the inspiring The Real Group Festival in Stockholm, four days of workshops, lectures, concerts and hugging, a celebration of a music shared passionately by a small but growing number of adherent fanatics worldwide — The New A Cappella. Many of the participants expressed frustration at the difficulty in explaining just what this genre is. Here’s my attempt to provide an overview.
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The Beach Boy’s unreleased 1966 “SMiLE” was rumored to be Brian Wilson’s unfinished masterpiece. Its legend grew larger than the Loch Ness monster, more beautiful than Shangri-La, more elusive than the Yeti, richer than El Dorado, more profound than the Shroud of Turin, more holy than the Grail. Now it’s been reassembled and issued, 37 years later. Was it worth the wait?
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