Song Of the week

143: Christian McBride, ‘Killer Joe’ (Red Sea Jazz Festival, 2012)

Jazz isn’t all atonal and brainy and inaccessible. It is more often fun and intelligent and wise and witty and playful and passionate, and open to anyone who is willing to expose himself. It’s that wonderful place which presents you with the present of the present. Christian McBride at The Red Sea Jazz Festival last week: “Rarely do you see this anywhere else in the world, but we saw teenagers dancing to jazz, moving, screaming, running up to the stage. You guys made me feel like Paul McCartney last night. We love your enthusiasm.” Yet jazz is also a place where young people learn respect for The Tradition.

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134: Lee Konitz, ‘Duende’

“Duende” in Spanish denotes both an evil little goblin and ‘a certain diabolical magic’which Lorca called “a sort of corkscrew that can get art into the sensibility of an audience.” The Lee Konitz ‘Duende’ (written for him by Chick Corea) has remained an obscure bluenote in a legendary career. But it wrenched my heart the first time I heard it, and has done so every time since.

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118: Brian Wilson, ‘Surf’s Up’ (“SMiLE”)

The Beach Boy’s unreleased 1966 “SMiLE” was rumored to be Brian Wilson’s unfinished masterpiece. Its legend grew larger than the Loch Ness monster, more beautiful than Shangri-La, more elusive than the Yeti, richer than El Dorado, more profound than the Shroud of Turin, more holy than the Grail. Now it’s been reassembled and issued, 37 years later. Was it worth the wait?

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