This week we’re talking about aunts and uncles and nieces and nephews, and why Leslie Stevens will always be the most beautiful girl in the world, even more beautiful than her niece Natalie Portman.Continue reading...
Song Of the week
Tracking my circuitous, tenuously coherent musical route, my Streaming of Consciousness from the previous fortnight. What connects it all?
The human voice. The only instrument fashioned by God.
Maria Schneider’s music has been called “evocative, majestic, magical, heart-stoppingly gorgeous.” It defies genre-categorization. In format, it’s standard Big Band, but the music exhibits a symphonic palette, broad and complex and rich and intriguing. Her compositions are often compared to those of Mahler and Copland. They’re ephemeral, transcendental and melodic, often simultaneously. Not impressionistic, but carefully thought out and planned and considered. Incorporating the vast, open, airy Minnesota landscape where she was raised. Thoroughly modern, thoroughly American, thoroughly personal. She’s even been called Nabokovian! A brainy romantic, passionate, an aural aviatrix.Continue reading...
If you ever want to know what’s new in music, check out what Jacob Collier’s been doing for the previous couple of months.
Last night I had the rare privilege of seeing him perform in Tel Aviv.
People were saying “I’m going to be able to say to my children that I saw him when.”
I was saying, “This is not real. What I’m seeing and hearing can’t be real. It’s superhuman.”
Brad Mehldau is young (big tattoo on his forearm), eclectic, handsome and shy and spiritual and articulate and spooky intelligent. Oh, yeah, and he plays with two different hands. I mean, they’re independent of each other, connected by chance to one torso. His left hand alone can play what most fine jazz pianists can do with both. Leaving his right hand to explore another alternative tonal world. So all you ‘I really don’t like too much jazz’ folks out there, do yourselves a favor – give Brad Mehldau a listen, anything at all – standards, Beatles, Radiohead, originals.Continue reading...
Here comes the story of the most universally respected unknown jazz pianist from the 1950s. Herbie Nichols’ music is ambiguous, filled with warm dissonances and subtle rhythmic twists and harmonic turns. There’s a pervasive sharp intellect tempered with great warmth and a lot of resigned humor. His music, for all its complexity and intricacy, is really quite fun. You could even use it to start a house party.Continue reading...
Hi all you loyal readers!
Vocalocity is a 40-voice a cappella group I had the great fortune to co-found in 2013.
It was the apple of my eye, the (musical) love of my life. I think we’re did some pretty great and even groundbreaking music.