‘Lowdown‘ (“Fade into Light”, 1996)
‘Harbor Lights‘ (“Fade into Light”, 1996)
‘Just Go‘ (“Fade into Light”, 1996)
‘Sierra‘ (“Fade into Light”, 1996)
‘I Should Care’, (“But Beautiful”, 2003)
‘Ballad of the Sad Young Men‘ (“Speak Low”, 2007)
I’m really tickled to be writing SoTW today, because it takes me right back to where I once belonged – blathering on about music that has me so excited I just might pop.
Boz Scaggs. I last heard Boz (on break from Steve Miller) playing with Mother Earth in 1969 at the Ludlow Garage in Cincinnati. The band was great, a favorite. Tracy Nelson was a wonder. I remember being moved to tears at the sheer beauty of the music – only time live music’s ever done that to me.
Mike and Bill and I worked the gate at The Garage (and ran across the river to Newport to buy booze for the after-show bash). We got to hang out with luminaries such as Bo Diddley (tried to pick up my girlfriend), Neil Young (obnoxious), Leslie West (barely made it through the door) and Boz Scaggs–not exactly a household name, but he wore very cool Haight-Ashbury striped pants which were quite a rarity in good old Cincinnati and had great hair.
I could tell you that Boz and I got very close, dropped acid together, picked up some groupies together and discussed The Meaning of Life. There’s no one alive who could contradict me, not even photographer cum novelist Rod Pennington, who so graciously preserved this magic moment from another world.
The truth is, I was this affected, clueless, horny, poseur, preening, uninformed, unworldly, horny Jewish kid masquerading as, ahem, cool; and Boz was a bona fide Rock Star who deigned to give me the time of day.
I vaguely recollect Boz as a really sweet, articulate guy. The hazy impression that remains is that he was more than polite – warm and generous.
But then fate drew me to a corner of the world without radio reception, the decades passed, and our respective roads drifted apart – me to the wholly holey Holy Land, Boz to a long career of moderate success as a working musician. I had a vague impression of him as a blue-eyed soul guitarist/singer. Little did I know.
I’ve listened to no one else for near on a fortnight now, and it is my pleasure, my that’s-why-I’m-here duty, to inform you: Boz Scaggs is one fine, fine, fine musician. Run and listen to him. I can’t imagine anyone not deeply enjoying his music.
1965-75, Boz was playing electric blue-eyed blues, with critical but little commercial success. Here’s ‘Loan Me a Dime’ from 1969’s eponymous album, with Duane Allman and the Muscle Shoals rhythm section lending support. Not my cup of tea, but certainly admirable.
1975-80, he shifted to smooth, commercial R&B soul, hit the jackpot with his 5xPlatinum album “Silk Degree”, featuring hits such as ‘What Can I Say’, ‘Lido Shuffle’ and ‘Lowdown’, receiving 4 Grammy nominations including Album of the Year . A number of commercial hits followed (‘Breakdown Dead Ahead’, ‘Jojo’, ‘Look What You’ve Done to Me’ and ‘Miss Sun’).
He then went into a fallow period, resurfacing in 1988 with ‘Heart of Mine’ from “Other Roads”. In 1989 he did the first of a couple of tours (again in 2010 as the Dukes of September) with Michael McDonald (Doobie Brothers, Steely Dan) and Donald Fagen (Steely Dan). He has other gifts, but I’m not convinced by Mr Fagen as a soul persona. But the comparison with Mr McDonald is telling. MM is a great singer, with an incredibly muscular tenor. BS owns a pretty amazing vocal range, with control in the upper ranges that many a better-known vocalist should be highly envious of.
But what’s been filling my ears and mind and voice and heart for the last couple of weeks is the last 20 years of his career, in which he’s gradually morphed into an intelligent, soulful, gentlemanly, smooth-as-melted-butter R&Bster – looking commercial tastes right in the eye without flinching, without compromising one whit on the sincerity more commonly associated with his rawer bluesy days. It all started with 1998’s “Some Change”, with gentler materials such as ‘I’ll Be the One’, ‘Sierra’, ‘Lost It’, and ‘Time’.
But then in 1996 he recorded a laid-back, acoustic album which included new readings of a number of his later hits. It’s a 5-star album which I’ve been listening to more or less non-stop recently, and I can’t recommend it highly enough. Cut after cut, this is finely-honed, emotionally engaging, sincere, intelligent commercial music. Admittedly, it’s not “John Wesley Harding”. But – honestly now – when’s the last time you listened to JWH?
‘Lowdown’, ‘Just Go‘, ‘Love T.K.O.’, ‘Fade Into Light’, ‘Harbor Lights’, ‘Lost It’, ‘’Sierra‘, ‘I’ll Be the One’, really every single cut – this is as good as pop music gets. I think of Norah Jones’ “Come Away with Me”, Alison Krauss’s recent “Windy City”, Linda Ronstadt’s “Heart Like a Wheel” years, perhaps even Carol King’s “Tapestry” – indelible, memorable commercial music that grabs you, pulls you irresistibly into its emotional territory, pleases you immeasurably and leaves you feeling those were 45 edifying minutes.
In 1997 and 2001 he released two fine R&B albums, “Come on Home” and “Dig” (‘King of El Paso’). In 1998, his 21-year old son OD’d.
There’s a video from 2004 that I’ve been really enjoying, Boz with an excellent 9-piece band (bass, great lead guitar, two keyboards, two horns, two outstanding backup singers). The man at the very top of his game. Do yourself a favor, spend some time with it.
Then in 2003 and 2008 (Boz now in his 60s), he recorded two albums of standards, “But Beautiful” and “Speak Low” which have absolutely nothing to do with the Linda Ronstadt, Rod Stewart, Willie Nelson, Paul McCartney or Bob Dylan forays into the genre. Boz is not a wrinkled pop idol looking for a new wrinkle to boost his record sales or grab at a bit of legitimacy.
Boz Scaggs is a first-rate, knockout jazz singer. The impeccable choice of songs; the intimate, relaxed arrangements; the utterly convincing readings–he brings to life for me songs that decades of (you’ll pardon the blasphemy) unconvincing (for my ears) readings by a myriad of uninspired singers (the whole pantheon, all the Tony Bennetts and Mel Tormes) have deadened my ears to. Check out ‘I Should Care’. Or ‘For All We Know’. Or ‘Save Your Love for Me’. Or ‘Skylark’. (Hey, I wrote a posting about that song!) Or the killer ‘Ballad of the Sad Young Men’. It’s a remarkable song, and I also wrote a posting about its sister piece, ‘Spring Can Really Hang You Up the Most’. The song is as daunting for a singer as Sonny Liston was in his prime for a pugilist. Listen to what he does to the last phrase. He hits that last note without taking a breath beforehand (equivalent to parachuting from a satellite in orbit), way at the top of a very high rising arpeggio–with utter calm, relaxed, confident, not a hint of strain, no sign of the enormous technical challenge in hitting it without a waver.
His voice is a wonder. Effortless, honest, expressive, technically the envy of many a crooner. It’s smooth and pure and controlled, at the service of what seems like a really nice, sincere guy reweaving well-known stories in a way that makes each and every one come to life.
But we’re not done. 2013’s “Memphis”, 2015’s “A Fool to Care”, and 2018’s “Out of the Blue” are all finely crafted Memphis roots music. Check out ‘Cadillac Walk’ or ‘A Rainy Night in Georgia’. As the excellent AllMusic pundit Thom Jurek says, “He delivers songs with an endemic empathy and intimacy that make them sound like living, breathing stories…He remains a song interpreter who has few — if any — peers.”
Yes, it’s commercial. Yes, it’s slick. And yes, I’ve been listening to it non-stop for two weeks. We need this music in our lives. It’s a rarity, intelligent entertainment. Not life-changing, not soul-scouring, but art that can inform and enlarge our souls. Real music by a real person, a prodigiously talented musician singing to us with his own personal, human voice. Still going strong at 73. You’re my man, Boz.
Great column Jeff. My husband just cited that Boz was included on an episode of “Breaking Bad” when Walter, the dad, woefully tells his wife that they’ve failed in the music education of their son. It seems Boz was coming to their city to perform and their teen had never heard of him.
Boz is too good for Walter. Can’t imagine him listening to any music. Chemistry, hmpf.
I’m certain Walter is intimately familiar with the periodic table, but has never heard Boz on “Save Your Love for Me.”
Now THAT’S chemistry.
He’s smooth. He’s cool. He’s a great singer and guitarist. I’ve listened to most of the clips and I’m going to have to listen to David S. Ware and some Ramones now to get my head screwed back on straight.
You mean screw your head back on askew.
Sounds like a Jefferson Airline title.
I want to thank you for your wonderful website.we are not of the same generation and i didn’t grow up in the states.(i grew up in germany,and i was born more towards the end of the sixties).so my own nostalgia is bound to a different time span than yours.but still your enthusiasms are so articulate and contagious that it has happened quite a few times that you made me listen again to something that i had occasionally heard before but not paid much attention to.or,as in the case of maria schneider where i ,for the first time heard about her via your comments.and just now i have fallen in love with james taylor and this is certainly all your fault.”secrets o life” is absolutely wonderful.in the past when i heard james taylor somewhere in the background i never really differentiated his voice very much from john denver,or jim croce.but you made me listen closer and i want to thank you for it.
Sorry,last time i hijacked your boz skaggs column thanking you profusely for reintroduceding me to james taylor.well,as i understand it james taylor sold a hundred million records.i am sure boz skaggs doesn’t go hungry either but he probably did at least sell a fifty if not more millions of cd’s less than him.that still doesn’t necessarily mean boz will go crazy over having added another fan to his community of admires.but in case he should call me curious to know who his latest israeli fan is i will tell him that there are at least two of us and that he should really thank you first for the great website you run.so do i .thanks jeff.
Thanks very much, Oliver.
One point I’m sure others have made, though I haven’t encountered it elsewhere, is how much Boz is at his best (in my biased ears) in some of those songs that could almost pass for James, circa JT/Flag.
I am very, very fond of the Boz song.
But not to confuse it with James’ song, which is on a whole different level.
Entertainment vs art.
In my humble opinion.
Thank you jeff.i will check it out.
This is a jam-packed posting that I haven’t seen bfeore. Listening to ‘Loan Me a Dime’ and I like the instrumental part but not the voice. It doesn’t have much soul. I have never listened to Boz Scaggs and I always hated the sound of his name. But I will explore your links.
I’m sure you were cool enough back in the day, Jeff. Cool enough to hang with one of my fave musician/writer/singers of all time. Boz was, and still is, who i want to be when I grow up. Stylish, the epitome of Bay area cool, talented as fk. Yes, he’s under-appreciated, but my guess is there are legions of children concieved in the mid to late seventies whose parents were in the libidinous thrall of the Boz. Thank god they didn’t name their after him. An especially great post, full of enthusiasm and insight – even a touch of mancrush.
I remember you saying how important the two albums of standards are to you.
Thank you, Jeff, for another detailed report on a not quite famous American artist. And – was it not by Mr. Donald Fagen – I wouldn’t even know his name. But him being part of the New York Rock and Soul Revue lineup (I do hope you own the record from “Live at The Beacon”), I have later listened to some of his original music. And will check out more now. Kudos to you, Jeff!
Really enjoyed this piece. Boz Scaggs has been one of my absolute favorite singers for years now. Praying I’ll get to see him in concert when the world gets back to normal. Think I’ll listen to Simone (Fade into Light)…
Just got to this! I love Boz. What an experience you had …Really found this post interesting.
Jeff – great story on Boz. As a teen in the 80’s, I didn’t care for him (or Steely Dan or MM, etc). Now, I understand. Read the lyrics to Lowdown – incredible, and masterfully delivered. And, if forced to pick one for the desert island, I might have to go with Fade Into Light.